We are hopping into strangers’ cars (Lyft, Sidecar, Uber), welcoming them into our spare rooms (Airbnb), dropping our dogs off at their houses (DogVacay, Rover), and eating food in their dining rooms (Feastly). We are letting them rent our cars (RelayRides, Getaround), our boats (Boatbound), our houses (HomeAway), and our power tools (Zilok). We are entrusting complete strangers with our most valuable possessions, our personal experiences—and our very lives. In the process, we are entering a new era of Internet-enabled intimacy.
To celebrate the 25th anniversary of MST3K’s national debut, WIRED presents an oral history of the greatest talk-back show ever made. It all begins in the late ’60s in rural Wisconsin, where there was this guy named Joel, not too different from you or me …
Over its lifetime, Earth has hosted countless species. But some of those species, like the dinosaurs, have managed to claw their way into a special place in our imaginations.
Iranian photographer Hossein Fatemi, offers a glimpse of an entirely different side to Iran than the image usually broadcasted by domestic and foreign media. In his photo series An Iranian Journey, many of the photographs reveal an Iran that most people never see, presenting an eye-opening look at the amazing diversity and contrasts that exist in the country.
Just in time for 4/20…
There’s a truism about the gold rush days of San Francisco: It wasn’t the miners who got rich; it was the people selling picks and shovels. As the legalization trend picks up steam, Silicon Valley thinks it can make a better shovel.
The ’90s were golden years for Nickelodeon. The children’s cable television network was home to now cult-classic shows like Are You Afraid of the Dark? (1991-2000), Clarissa Explains It All (1991-’94), The Secret Life of Alex Mack (1994-’98), and Salute Your Shorts (1991-’92)—arguably heretofore unmatched in their clever, un-condescending approach to entertaining young people. Nick News with Linda Ellerbee launched in 1992, and remains to this day one of the only shows on-air devoted to frank, engaging discussions of teen issues and opinions.
But perhaps the program that best embodied the values of Nick in those years was All That, a sketch-comedy show that premiered 20 years ago today. Created by Brian Robbins and Mike Tollin, All That ran for an impressive 10 seasons before it was canceled in 2005. The prolific franchise spawned a number of spin-offs (Good Burger, Kenan & Kel, The Amanda Show) and launched the careers of several comedy mainstays: Kenan Thompson, Amanda Bynes, Nick Cannon, and Taran Killam.
Like Saturday Night Live (which would later hire Thompson and Killam), All That was a communal pop-cultural touchstone. The parents of ’90s kids had the Church Lady, “more cowbell,” and Roseanne Roseannadanna; the kids themselves, though, had Pierre Escargot, “Vital Information,” and Repairman Man Man Man, and we recited their catch-phrases to one another in the cafeteria and on the playground. Although All That was clearly designed as a SNL, Jr., of sorts, it wasn’t merely starter sketch comedy—it was an admittedly daring venture for a children’s network to embark on.
In its own right, All That was a weirdly subversive little show. It never explicitly crossed the line into “mature” territory, but it constantly flirted with the limits of FCC-approved family-friendliness. Take, for instance, the “Ask Ashley” sketch. A barely tween-aged Amanda Bynes (Seasons Three to Six), played an adorably wide-eyed video advice-columnist. Ashley (“That’s me!”) would read painfully dimwitted letters from fans with clearly solvable problems. (Example: “Dear Ashley, I live in a two-story house and my room is upstairs. Every morning, when it’s time to go to school, I jump out the window. So far I’ve broken my leg 17 times. Do you have any helpful suggestions for me?”) She would wait a beat, smile sweetly into the camera, then fly into a manic rage; emitting a stream of G-rated curses, always tantalizingly on the verge of spitting a true obscenity into the mix.
Read more. [Image: Nickelodeon]
They don’t make kid’s shows like they used to — not only in regards to actual content, but also in reference to the diversity of the casting.
Those were the days.