Using clever algorithm processing, the app makes it easy to use your phone to create tracking shots and fast, time-lapse videos that look as if they’re shot by Scorsese or Michael Mann. What was once only possible with a Steadicam or a $15,000 tracking rig is now possible on your iPhone, for free. 

[MORE: Hyperlapse, Instagram’s New App, Is Like a $15,000 Video Setup in Your Hand]

(Source: Wired)


Ferguson is sixty-seven per cent black, but fifty of its fifty-three police officers are white. In Comment, Jelani Cobb reflects on disenfranchisement, disillusionment, and the protests following Michael Brown’s death.

Illustration by Tom Bachtell.

Important Sunday reading.


Here’s the trick to solving Google’s crazy open-ended interview questions.

You’re welcome.


(Source: Wired)

It was as if everything—the backyard scrapes, Spillane and Rand, Daredevil and Batman, the heartbreak of writing for Hollywood—was distilled. In Miller’s world, unlikely protagonists rise up against sinister forces and stare evil in the face. Loyalty is a virtue, but lovers rarely make for permanent allies, and old faces can signal danger. The hero, alone, is defined by excruciating physical tests, and his code allows for vengeance. Sometimes he survives.

MORE: After His Public Downfall, Sin City’s Frank Miller Is Back (And Not Sorry)

(Source: Wired)



Expect Many, Many Lawsuits From Ferguson

WASHINGTON — It’s been nine days since Michael Brown was shot, unarmed, in the middle of a street in Ferguson, Missouri, but civil rights and civil liberties legal advocates say the legal fallout from the shooting and its tumultuous aftermath are just beginning.  

“There will be lawsuits up the kazoo,” said Barbara Arnwine, the longtime president and executive director of the Lawyers’ Committee for Civil Rights Under Law, in an interview Sunday evening. “I think you’re going to see ripple after ripple of legal matters here in response to this outrageous situation.”

The cluster-you-know-what won’t be going away anytime soon.

Hope y’all are paying close attention.

Scientists discover a rare black hole in Messier 82.


These gorgeous aerial shots of Miami’s and New York’s beaches were taken while hanging from a helicopter.

The colors and patterns of the umbrellas reveal which beaches are public and which are private. 


(Source: Wired)

The Jenny, the little plane that could.

As popular as the plane was with the Army, the Jenny came into her own after the war. The government sold hundreds of surplus JN-4s, some of them still in their shipping containers, to anyone with $300 (about $4,130 today), says Jeffery S. Underwood, a historian at the United States Air Force Museum at Wright-Patterson Air Force Base in Ohio. The plane proved especially adept at barnstorming, becoming the most popular aircraft used in that daring sport. Thousands of pilots learned to fly in a Jenny, including Amelia Earhart.

MOREThe Humble WWI Biplane That Helped Launch Commercial Flight

(Source: Wired)

Presenting our September cover: Edward Snowden, photographed by Platon. Read our exclusive profile of Snowden here.

(Source: Wired)

John Pound lives in Eureka, California. He’s either 62 or 63—he can’t remember at the moment—and he’s been a cartoonist his whole life. The first half of his career was traditional, insofar as any career in weirdo art and underground comics can be traditional. He sketched and inked and colored by hand. He made the annual pilgrimage to Comic-Con, back in the days when it was still concerned with comics. In 1984, he collaborated with comics legend Art Spiegelman on the first run of Garbage Pail Kids cards for Topps, painting 40 gross characters in 40 exhausting days.

But in the late 1980s, the purchase of his first computer, an Amiga, set Pound’s artistic pursuits on a slightly different course. He started checking out other people’s computer art and got to wondering what his new machine could do for a cartoonist. Eventually, he became smitten with the idea of creating a program that could automatically generate comics for him. The dream has kept him busy for the better part of three decades. Today, he’s generating striking, randomly generated compositions by the hundreds, none of which look anything like what the art we’ve come to expect from computer code.


Pro tip: John Pound is on Tumblr. Go follow him immediately.

Do it.